An exercise in marketing
Marketing has been around as long as their has been a record industry - and, indeed, a lot longer than that. In fact, it might be argued that the successful launch of the recording industry was built on a masterful - and misleading - marketing campaign that claimed that the sound of an Edison cylinder was an accurate representation of real life (it was no such thing, but people were happy to be fooled). Over the subsequent decades, the various record companies and publishing companies went to ever greater lengths to market their works - with the latter, keen to secure as many recordings of a hit copyright as possible, often at odds with the former. Still, the joint campaign launched in late 1959 by the French branch of the EMI company, Path é (also home to sub-labels Columbia and La Voix de son Maître (the French branch of UK label His Master's Voice) and publisher Chappelle was something of a bold masterstroke. At its heart was a new French composition, ...